“The World Will Know”: Newsies flies high in its UK debut

It’s finally here. The long-awaited UK run of Disney’s Newsies has finally opened at the Troubadour Wembley Park Arena and it completely smashes all expectations.

The production had a lot to live up to, with it being the first time the show left the US and the first time it had been performed in 8 years after finding a massive fanbase due to recorded material. Also, the show is known for being extremely hard to cast, which put many people off of producing this intense piece of theatre.

Firstly, the set alone is extraordinary. The Troubadour is completely transformed into a New York scene. The whole theatre becomes part of the production as well as the giant piece of scaffolding centre centring the stage. Every piece of space is used effectively, even with the entrance to the seating which has been transformed into a newsie den, filled with laundry, beds, hammocks, etc. This set is used perfectly within the show with newsies appearing from quite literally everywhere in the theatre. From any seat in the theatre, you will get a unique experience, and a newsie by your side at some point. It is amazing how hard these boys work, running around the space for basically the whole show along with the ever-famed intense dance numbers. It is certainly a workout. They are not even limited by gravity; they would probably walk on the ceiling if they could.

The dance numbers fly above any and all expectations, starting from the very beginning of the show and continuing non-stop until the end of the show. There’s a new dance section for the newsies at the beginning of the show, reminding the audience that this is their show; it’s about their community not just the main characters. ‘Carrying the Banner’ was charismatic and charming as ever, with something different happening everywhere you look. This is a show where you can go over and over again and always find something new, it encapsulates the chaos of the streets of New York. ‘Seize the Day’ is quite literally a showstopper; as in it received two standing ovations which is incredible, especially on a press night, and it’s not even the end of act 1. These standing ovations both lasted between 1-2 minutes each and it's extremely well deserved. From flips and tricks, dizzying turn sequences and gravity-defying jumps, these boys do everything they can, and it is a truly special moment. Audiences stare gobsmacked, giving thunderous applauses to even the smallest moments; everyone gets their time in the spotlight. Another standout number was ‘King of New York’ which was a tap sensation. They have to dance on tables, use props for efficient sound and it very easily could have received another standing ovation. Some of the things they do in this number is astounding, but its’ better to keep some surprises so you will have to go watch it for yourself to truly understand the heights that these boys go to. But these are not the only places where dance is seen, in every scene change, there are newsies dancing, flipping, jumping, bringing on set, taking of props. Etc. These boys are truly all stars.

Full Company, photo taken by Johan Persson

Michael Ahomka-Lindsay stars as the iconic Jack Kelly. Having to live up to Jeremy Jordan’s iconic performance must be difficult but Lindsay takes the character his way and charms his way into the audience's hearts. His natural charisma oozes throughout the performance, it feels natural and easy. His vocals are smooth and hypnotic in ‘Santa Fe’ and he hits every note with ease, it lived up to the expectation set by the epic ‘Seize the Day’ that happened just before, creating an extremely strong end of act 1. Bronté Barbé is our sassy and witty Katherine Plumber. She holds her own surrounded by this crazy band of dancing boys and her interactions with Lindsay are natural and easy to watch. Her rendition of ‘Watch What Happens’ was sung beautifully but could have used a little more difference in emotions during the scatter-brained number, but she performed well throughout the production. Cameron Blakely played Pulitzer perfectly, capturing the entitled and single-minded point of view with humour and hatred; a difficult mix. Ryan Kopel gave beautiful harmonies as Davey, complimented every song he was a part of with his vocal talent. Matthew Duckett played Crutchie a little too subtle, it could have used more child-like innocence but his rendition of ‘Letter from the Refuge’ was heartfelt and emotional. In short, everyone in the cast should be incredibly proud of their performances, they are all incredible.

There were a couple of technical issues, with some microphones not turning on in time or having a bit of reverb and lighting was slightly off at points, especially the follow spots in ‘Santa Fe’. But these issues are being fixed as the production continues and they are probably unnoticeable to the common audience member.

Newsies is an absolute must-see, a show that someone should go to any time they can. It is truly going to be one to remember for UK theatre. An absolute 5-star production from start to finish.

Newsies is currently running at the Troubadour Wembley Park Theatre until 16th April 2023.

 

You can buy tickets and find out more at:  https://newsiesthemusical.co.uk/